The Art Exhibition of Painting and Calligraphy of Famous Chinese Contemporary Cultural Guru Huo Chunyang Will Be Held in Tokyo on August 7th

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    The Art Exhibition of Painting and Calligraphy of Famous Chinese Contemporary Cultural Guru Huo Chunyang Will Be Held in Tokyo on August 7th

    2018-08-02 10:25
    来源：Chinese Culture People
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    The Art Exhibition of Painting and Calligraphy of Famous Chinese Contemporary Cultural Guru Huo Chunyang Will Be Held in Tokyo on August 7th [Chinese Culture People By Editor-in-chief Wang Baosheng/text and photo]
     


    Chinese Culture People Magazine  2018 Special Issue Huo Chunyang

     

    Huo Chunyang, a doctoral tutor of China National Academy of Arts, a researcher of Chinese National Academy of Painting, curator of Tianjin Art Museum, is one of the most representative painters of traditional brush painting of flowers and birds. During his artistic career of more than half a century, he devotes himself to the tradition of Chinese literati painting, absorbs academic and cultural nourishment from fine traditional Chinese culture and commits himself to the revival of the spirit of Chinese literati painting.


    The delicate lotus flower seemed to speak –by Huo Chunyang


    Lotus in Peace –by Huo Chunyang
     
     
    Pool overflow is sweet –by Huo Chunyang
     

     
    It is not enough to return a pen –by Huo Chunyang
     

    The green pond was full of bright lotus flowers –by Huo Chunyang


     
    New Looks of Xishi –by Huo Chunyang
     

    The faint lotus flowers look like autumn –by Huo Chunyang


    Ooze mud without stain –by Huo Chunyang
     

     
    At the beginning of bath –by Huo Chunyang
     

     
    Fine dew and bead –by Huo Chunyang
     

     
    The little root came out –by Huo Chunyang
     

     
    In artistic practice, Huo Chunyang takes “purification of souls” as his creation tenet and admires the gentlemen’s spirit of “neutralization, profundity and supremacy”, pursuing the peaceful and intangible artistic realm attentively.
     

     
    Peach blossoms bloom first in spring–by Huo Chunyang
     
     
     
    Red Flowers Compete for Blossom in the Garden on the Morning of Spring, Fallen Petals of the Peach Blossoms along the River Banks Make a Colorful Brocade –by Huo Chunyang
     
     
     
    Purple snow and spring wind–by Huo Chunyang
     

     
    Serene Spring–by Huo Chunyang
     

     
    Shadows in Dense Dewdrops–by Huo Chunyang
     

     
    Spring comes in beautiful colors–by Huo Chunyang
     

     
    Very beautiful–by Huo Chunyang
     

     
    It's probably priceless–by Huo Chunyang
     

     
    A face without make-up–by Huo Chunyang
     

     
    Peonies Hard to Paint–by Huo Chunyang
     

     
    The flowers were fresh at dawn–by Huo Chunyang
     

     
    Peculiar fragrance–by Huo Chunyang
     

     
    The peony after rain is like the feeling of sleeping in spring–by Huo Chunyang
     

     
    Clouds want flowers and clothes–by Huo Chunyang
     

    Huo Chunyang’s paintings which demonstrate density, complexity, exuberance and significance respectively with lightness, simplicity, sparseness and softness, have a far-reaching realm. They deeply reflect the profound cultural background of the painter, the deep and unique understanding of the artistic spirit of Chinese paintings and traditional philosophy, as well as the perception of life and therefore can be called contemporary “leisure works”.
     
     
     
    Far away–by Huo Chunyang
     
     

    The Universe Keep me Peaceful, While Fame and Wealth Keep me Restless–by Huo Chunyang
     

    No Hastening, East Wind–by Huo Chunyang
     

    Green Hills in a Warm Breeze–by Huo Chunyang
     

     
    Silent Fallen Flowers–by Huo Chunyang
     
     
     
    Be a student in heaven –by Huo Chunyang
     
     
     
    Breeze Stays for the Green–by Huo Chunyang

     
     
    Humble–by Huo Chunyang
     
     
     
    Bamboos and Rocks–by Huo Chunyang
     

     
    Bamboos–by Huo Chunyang
     

     
    Bamboos–by Huo Chunyang 


     
    The rain was xiaoxiao –by Huo Chunyang
     

     
    Breeze Stays for the Green–by Huo Chunyang
     

     
    Huo Chunyang has been teaching at the Chinese Painting Department of Tianjin Academy of Fine Arts. In art education, he emphasizes cultivation of “ability besides painting”, “moral quality represents artistic quality”, integration of body and mind, and unity of technology & art, content & form, theme & skill and so on.
     
     
     
    Beauty Shadows in Dew–by Huo Chunyang

     
     
    The artistic realm of painting –by Huo Chunyang
     
     
     
    Tranquil Trees in Clear Autumn–by Huo Chunyang 

     
     
    The autumn wind black chrysanthemum –by Huo Chunyang
     

     
    The leaves of nennen like to discuss carefully unfolding –by Huo Chunyang
     

     
    The object –by Huo Chunyang
     

     
    When the spirit of Chinese aesthetics was impacted by multiculturalism and faced with the threat of alienation, Huo Chunyang diagnosed the dilemma of contemporary bird and flower paintings and published “Nine Debates of Chunyang”, in which he dispelled the mist of inheritance and innovation of contemporary Chinese paintings with philosophical wisdom, enhanced cultural willpower and confidence, dedicating to the worldly cause for the heaven, the earth, the people, the ancient sages and the descendant with a surpassing heart.
     
     

    Learning from Fachang’s Painting Style–by Huo Chunyang 

     
     
    Learning from Fachang’s Painting Style–by Huo Chunyang 

     
     
    Romantic Charm in Golden Autumn–by Huo Chunyang
     

     
    Shadows in Dense Dewdrops–by Huo Chunyang
     

     
    A ripe red colour after frosting –by Huo Chunyang
     

     
    Tranquil Autumn in Huarong–by Huo Chunyang
     

     
    The fresh green unfolded in the wind –by Huo Chunyang
     

     
    Cauliflower is getting attractive –by Huo Chunyang
     

     
    The dew contains the scent of flowers –by Huo Chunyang
     

     
    Dew-soaked petals –by Huo Chunyang
     

     
    Best Aroma in the World–by Huo Chunyang 
     

     
    Huo Chunyang, a doctoral tutor of China National Academy of Arts, a researcher of Chinese National Academy of Painting, curator of Tianjin Art Museum, is one of the rare leisure works painters in contemporary Chinese painting circle. He adheres to traditions, commits himself to inheriting and carrying forward spirits of Chinese aesthetics, practices meditation of peace, perseverance and reflection, uniting knowledge, intention, emotion and action.
     
     
     
    Intoxicating Autumn–by Huo Chunyang
     
     
     
    Clouds break the moon to make shadows –by Huo Chunyang
     
     
     
    There is no day without spring wind –by Huo Chunyang
     

     
    Elegant Flowers–by Huo Chunyang
     
     
     
    There is no day without spring wind –by Huo Chunyang
     

     
    The first sweet –by Huo Chunyang
     

     
    Refreshing Fragrance–by Huo Chunyang
     

     
    Fragrance to –by Huo Chunyang
     

     
    Brightness and Fairness on Earth –by Huo Chunyang
     

     
    Fine Flavor–by Huo Chunyang
     

     
    Observing the Verdant Mountain from Far –by Huo Chunyang
     

     
    Huo Chunyang has been deeply cultivated in traditional culture and seeks the “secluded mind without whispering” with the state of simplification and harmony. He cherishes the spirit of “dedicated to the heaven, the earth, and people”, practices the concept of harmony between man and nature, and holds on simplicity and naivety.
     
     
     
    The doctrine of the mean –by Huo Chunyang
     
     
     
    Aesthetics Ideology in Chinese Calligraphy–by Huo Chunyang
     

     
    Li Bai · Invitation to Wine (selected)–by Huo Chunyang
     

     
    Chuyuelou The essays on calligraphy –by Huo Chunyang
     

     
    The way to get a pen is better than the way to get a body –by Huo Chunyang
     

     
    Zhuangzi knows the north –by Huo Chunyang
     

     
    The nature of Chinese calligraphy –by Huo Chunyang
     
     
     
    Wang Wei · Twilight Scenery in Autumn While Living in Mountains–by Huo Chunyang
     
     
     
    Standard Cursive Script of Yu Youren–by Huo Chunyang
     
     
     
    Carving the Literary Dragon (Selected Sentences)–by Huo Chunyang 

     

    Huo has engaged in the cultural exchanges between China and foreign countries, and visited countries such as Japan, the United States, France, Germany, Belgium, and Australia to offer lectures and exhibitions. Taking the art as a bridge, he has contributed his wisdom and efforts to the diffusion of excellent traditional Chinese culture and the internalization of Chinese culture. 


     
     
     
    Chinese Culture People （By Editor-in-chief Wang Baosheng）--The exhibition “Commemorating the 40th Anniversary of the Sino-Japanese Treaty of Peace and Friendship—Art Exhibition of Painting and Calligraphy by Famous Chinese Contemporary Cultural Guru Huo Chunyang”, will be held at the Central Gallery of Ginza, Tokyo, Japan on August 7-12 for the ends as the title suggests. The event is organized by Chinese Culture People Magazine and supported by Ministry of Foreign Affairs of Japan, Ministry of Culture of the Embassy of the People's Republic of China in Japan, Japan-China Friendship Parliamentarians' Union, Japan-China Friendship Association, Japan-China Economic Association, Japan-China Friendship Center, Japan-China Cultural Exchange Association, the Association for the Promotion of International Trade, ArtGroup-International, All-Japan Calligraphy Union, Union of Chinese Residing in Japan, College of Chinese Calligraphy, Japan SINCER Corporation.

    China and Japan are friendly neighbors separated only by a narrow strip of water and share cultural universality. Chinese calligraphy and painting is an important carrier of traditional Chinese cultural heritage, and it is also a bond for cultural exchanges between China and other East Asian countries such as Japan.

    Huo Chunyang, doctoral supervisor from Chinese National Academy of Arts, researcher from China National Academy of Painting, curator of the art museum of Tianjin Academy of Fine Arts, and vice president of Tianjin Artists Association, is the most representative painter for the traditional freehand bird-and-flower painting of China. In his art career of more than 50 years, Huo has admired the traditional Chinese literati painting, obtained academic and cultural inspiration from traditional Chinese culture, and devoted himself to the rejuvenation of the humanism in the Chinese painting.

    In his art practice, Huo has taken it as his mission to “purify human hearts”, respected the spirit of “neutrality and impartiality”, and pursued a calm and flexible mind in art creation. His paintings, showing richness, complexity, luxuriance and heaviness respectively through soberness, simplicity, sparsity and lightness, are contemporary “untrammelled works”, with deep artistic conceptions, and fully illustrate the painter’s profound knowledge of Chinese culture, his deep, clever and unique understanding of the art spirit in the Chinese painting and of traditional Chinese philosophy, and his ideas about the life.

    Huo has been teaching in the department of the Chinese painting at Tianjin Academy of Fine Arts. In the teaching practice, he has emphasized the importance of cultivation in fields “other than the painting”, stressed that “the quality of a painter can reflect that of a painting and vice versa”, and underlined the integration between the body and the mind, the skill and the art, the content and the format, and the theme and the technique. When Chinese aesthetics was challenged by multiculturalism and at the risk of alienation, Huo analyzed the problems that the contemporary bird-and-flower painting was confronted with, and published “Nine Arguments from Chunyang”, solving many puzzles concerning the inheritance and innovation of the contemporary Chinese painting from the philosophic perspective, enhancing the resilience of Chinese culture, and improving people’s confidence in Chinese culture. It seems that he was working on a temporal cause in a transcendent manner, “creating morality in the world between heaven and earth, and finding the meaning of life for human beings, carrying forward the lost academic traditions of sages, and building peace for generations to come”.

    Huo has engaged in the cultural exchanges between China and foreign countries, and visited countries such as Japan, the United States, France, Germany, Belgium, and Australia to offer lectures and exhibitions. Taking the art as a bridge, he has contributed his wisdom and efforts to the diffusion of excellent traditional Chinese culture and the internalization of Chinese culture.

    The year of 2018 marks the 40th anniversary of the conclusion of the Sino-Japanese Treaty of Peace and Friendship when the improvement and development of bilateral relations continue to encounter important opportunities. To commemorate the 40th anniversary themed “Advancing Peaceful Development and Seeking Common Friendship for Generations", inherit the tradition of folk culture exchange between China and Japan, and build a platform of friendly exchanges for artists between the two countries, the famous Chinese contemporary cultural guru Huo Chunyang's calligraphy and painting art exhibition plays an active role in enhancing mutual understanding and friendship between the two peoples, and contributes to the further improvement and development of Sino-Japanese relations under the new situation.（Chinese Culture People）
     
    Huo Chunyang, a doctoral tutor of China National Academy of Arts, a postgraduate tutor of Tianjin Academy of Fine Arts, curator of Tianjin Art Museum, researcher of Chinese National Academy of Painting, member of China Artists Association, member of China Calligraphers Association, founding director of Chinese Painting Association, professor of senior seminars of China National Academy of Painting, vice chairman of the Tianjin Artists Association, staff of Tianjin Art and History Museum, external painter of Tianjin Academy of Painting, chairman of the Specialized Committee of Flower and Bird Painting under Tianjin Artists Association, as well as president of Chinese Painting Institute of Tianjin. Since 1992, he has been granted special government allowances. In 1997, he was chosen as one of the "Top 100 Talents in Chinese Painting” by China Federation of Literary and Art Circles.

    His works include Selected Works of New Literati Painters: Huo Chunyang's Collection, Huo Chunyang's Flowers and Birds, Chinese Contemporary Masters' Paintings: Huo Chunyang, and Famous Schools and Masters: Huo Chunyang's Freehand Flowers and Birds. In 2010 he published multiple works and collections, such as Zhao Yuantang's Handwriting, a Huo Chunyang's calligraphy collection.  

    责任编辑：赵建华

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