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澳门国际论坛暨“景行行止——中国画名家学术邀请展”（澳门站）系列活动在澳门成功举办
中国文化人物记者 马将平 张东立 苏晴/摄影报道

       中国文化人物（记者 马将平 张东立 苏晴）9月19日，由澳门基金会、中国文化人物杂志社、澳门科技大学联合主办，中国文化人物杂志社澳门分社、中国文化人物澳门艺术馆、澳门科技大学人文艺术学院承办的澳门国际论坛暨“景行行止——中国画名家学术邀请展”（澳门站）系列活动在澳门成功举办。
       当日，文化与科技圆桌会议上、下午两场在澳门科技大学隆重举行，近40位各界代表围绕数智时代的文化根脉与科技创新、AI时代的跨界力量与湾区未来展开深度对话；当晚，展览启动仪式在澳门教科文中心隆重举行，中国文化人物杂志社澳门分社、中国文化人物澳门艺术馆正式揭牌，四场活动交相辉映，共同绘就一幅文化与科技融合、传统与当代对话的壮丽画卷。
       2026年是“十五五”规划开局之年，粤港澳大湾区建设持续走深走实，澳门正加快融入国家发展大局。本次系列活动紧扣“十五五”规划关于推进文化和科技融合、推动文化建设数智化赋能和信息化转型的部署，立足澳门中西文化荟萃的独特优势，为新时代文化传承与数智赋能提供多元视角，为中华优秀传统文化在粤港澳大湾区创新传播注入持久动力。

上午圆桌：文明互鉴——数智时代的文化根脉与科技创新

       上午，“文化与科技圆桌”上午场会议在澳门科技大学举行。
       本场圆桌以“文明互鉴：数智时代的文化根脉与科技创新”为主题，以“文明互鉴”为视野、“文化根脉”为基点、“科技创新”为路径，聚焦守正与创新的关系，为文化传承把脉，为科技创新注入人文关怀。
       本场圆桌会议由第十四届全国政协委员、全国政协文化文史和学习委员会副主任、澳门基金会行政委员会主席、澳门文化界联合总会会长吴志良，第十一届、十二届全国政协常委、中国书法家协会名誉主席、中央文史研究馆馆员苏士澍主持。
       在数字智能技术深刻重塑人类生产生活方式的背景下，如何理解中华文明的精神根脉，如何以科技创新赋能文化传承，让中华优秀传统文化在数智时代焕发新的生机与活力，是关乎文化自信的深层追问，也是澳门作为“以中华文化为主流、多元文化共存的交流合作基地”必须回应的时代课题。
       澳门四百余年来始终是中西文明交汇的前沿阵地，“文明互鉴”在此不是抽象理念，而是沉淀于城市肌理的历史经验与现实使命。
       与会代表认为，科技创新不是文化根脉的对立面，而是让文脉在当代保持生命力的必要养分。
       出席本场圆桌的代表包括：中国美术家协会副主席、天津市美术家协会主席、中国传媒大学中国画研究院副院长贾广健；中国工程院院士、流体密封工程技术专家、“院士诗人”，清华大学机械工程系教授、博士生导师、系学术委员会主任王玉明；中国科学院院士、广东省智能科学与技术研究院院长、神经科学家、发展中国家科学院院士、中国医学科学院学术咨询委员会学部委员、中国科学院上海高等研究院研究员、中国科学院上海生命科学研究院研究员、中国科学院上海分院副院长、张江实验室脑与智能科技研究院院长、中国科学院脑科学与智能技术卓越创新中心博士生导师张旭；联合国教科文组织曼谷办事处文化部门负责人景峰；第十一届、十二届全国政协委员，中国美术家协会原副主席、广东省文学艺术界联合会原主席、广东省美术家协会原主席、广东画院原院长许钦松；中国文化人物杂志社社长、山东大学国际汉学研究中心兼职教授王保胜；第十一届、十二届、十三届全国政协委员、中国艺术研究院文学艺术院名誉院长、教授、博士生导师，中国文化产业协会副会长，原中国工艺美术学会副理事长，中国陶瓷艺术大师朱乐耕；第十届、十一届全国人大代表，第十二届、十三届、十四届全国政协委员，新大陆科技集团总裁、人类命运共同体基金会主席、数字人民币产业联盟理事长王晶；清华大学美术学院院长、清华大学艺术与科学研究中心主任、博士生导师吴琼；中贸（海南）跨境投资集团董事局主席、中国国际康养科技学会会长、西安国医医院（西咸妇女儿童医院）理事长、西安亿力人乐生物医药技术有限公司董事长、西安高新东区小学理事长、西安高新东区初级中学理事长、学新幼儿园理事长，西安市第十五届、第十六届、第十七届人大代表周湛东；澳门科技大学人文艺术学院院长、教授、博士生导师，中国高等院校影视学会副会长、澳门传媒研究中心主任张志庆；蒙古国国立文化艺术大学美术学院院长、蒙古国国家功勋艺术家拉・宝门道尔吉；第十届、第十一届、第十二届全国人大代表，中国艺术研究院特聘研究员、意大利艺术研究院荣誉院士、俄罗斯列宾美术学院名誉教授韩玉臣；第十届、十一届、十三届、十四届全国人大代表，澳门特别行政区立法会议员、中国银行独立非执行董事、澳门大学校董事会董事崔世平；香港大学社会科学学院原副院长、香港大学心理学系终身教授、香港心理学会创会主席包乐华（Geoffrey Blowers）；香港白云堂艺术研究会会长、台北黄君璧文化艺术协会会长、香港各界文化促进会副主席黄湘詅等18位代表。
       文化艺术界代表从创作与研究的实践经验出发，直面数智时代的机遇与挑战，分享中华优秀传统文化的核心精神如何在新技术语境中保持生命力；科技界代表从技术发展规律与前沿趋势出发，探讨科技创新如何服务文化传承的时代需求，阐释科学精神与人文关怀的内在统一；产业界代表从文化科技融合的产业实践出发，分享行业趋势判断与战略观察，探讨文化科技融合的可持续发展路径与商业模式创新。从书法、国画等传统艺术的当代传承，到人工智能、脑科学等前沿科技的人文反思；从联合国教科文组织的文化遗产保护实践，到跨国界的艺术交流与文明对话，上午场论坛兼具历史厚度与思想深度，为文化与科技的融合发展提供了价值参考。
       会议开始前，吴志良主席、王保胜社长还向出席会议的代表颁发了荣誉奖杯。

下午圆桌：共创新境——AI时代的跨界力量与湾区未来

       下午，文化与科技圆桌下午场会议在澳门科技大学举行。
       本场圆桌以“共创新境：AI时代的跨界力量与湾区未来”为主题，以“AI时代”为技术语境、“跨界力量”为行动主体、“湾区未来”为空间坐标，侧重前沿实践与跨界共创，聚焦人工智能赋能文化艺术的场景落地、跨界协作的模式创新、大湾区文化科技融合的生态构建。
       本场文化与科技圆桌会议由全国人大常委会办公厅对外联络局原党支部书记、副局长陈庆立主持。
       出席本场圆桌的代表包括：第九届、十届、十一届、十二届、十三届、十四届全国人大代表，第十一届中国侨联副主席、澳门特别行政区第六届行政会委员、澳门地区中国和平统一促进会会长、澳门归侨总会永远会长、澳门创世企业集团有限公司董事长、广东省总商会名誉会长刘艺良；第十二届、十三届全国政协委员，中国美术家协会中国画艺委会主任、中国传媒大学中国画研究院副院长田黎明；俄罗斯工程院外籍院士、北京工商大学食品与健康学院教授、博士生导师刘新旗；香港故宫文化博物馆馆长、历史学博士，香港中文大学历史学学士、哲学硕士及博士吴志华；第九届、十届、十一届全国政协委员，第十二届全国人大代表，中国舞蹈家协会第十一届副主席、中央芭蕾舞团原团长、著名芭蕾舞演员、国家艺术基金专家委员会委员冯英；清华大学社会治理与发展研究院副院长、社会科学学院战略发展合作办主任，社会科学学院党委人事办公室原主任、新闻与传播学院党委委员、党委办公室主任、国家形象传播研究中心原常务副主任肖红缨；中国文化人物澳门艺术馆馆长赵婉；中国越野滑雪世界冠军、亚冬会闭幕式旗手、首都体育学院教师满丹丹；澳门大学微电子研究院及模拟与混合信号集成电路全国重点实验室助理教授、博士生导师，澳门大学横琴高等研究院、深圳河套集成电路研究院副研究员郭瑞齐；第十三届全国人民代表大会代表、澳门镜平学校校长、澳门中华教育会副会长黎世祺；法籍哲学家、汉学家、中国人民大学副教授、吴玉章青年学者，国际哲学公学院（CIPh）项目主任、学术委员会委员，法国国家科学中心（CNRS）胡塞尔文献室研究员杨一心（Alexis Y. Lavis）；河北省美术家协会副主席、河北美术学院副院长、中国美术家协会理事、中国工笔画学会常务理事、“顾拜旦奖章”获得者崔景哲；第十三届、十四届全国人大代表，中国邮政集团广东省珠海市邮政分公司海岛支局局长兼外伶仃营业所营投员谢坚；香港智鑫控股总裁、香港智鑫电子有限公司董事长、香港威臣电子有限公司董事长、香港行什资本管理有限公司董事长郭旭；第十一届全国人大代表、山西省文学艺术界联合会原主席、山西省中国画学会会长张根虎；中国歌剧舞剧院著名男高音歌唱家、一级演员，中国音乐金钟奖声乐（美声组）评审、中央电视台“中国唱将”（美声组）评审、国家应急管理部公益文宣大使、中国文联艺文志愿者协会理事张英席；第十三届、十四届全国政协委员，澳门福建同乡会会长、澳门行政长官选举委员会委员、新雄星集团（国际）有限公司董事局主席、澳门科技大学校董张明星；第十三届港区全国人大代表、经民联执行委员兼青委会顾问张俊勇；云南省政协委员、澳门经济民生联盟主席刘家裕等20位代表。
       中国文化人物杂志社社长王保胜作总结发言，他指出，跨界共创是湾区未来发展的关键动能，杂志社将以澳门为窗口，推动更多跨界合作落地，为人文湾区建设贡献力量。
       文化艺术界资深专家分享文化艺术在数智时代创新发展的行业洞察与实践经验，青年艺术家展示AI辅助创作、数字策展、跨媒介艺术实验等前沿探索；科技界代表从技术趋势与战略高度，描绘AI与文化融合的远景图景与关键突破方向，展示AI在文化艺术、体育训练、教育创新等领域落地的具体案例；体育界、教育界代表分享科技赋能运动训练、赛事传播、体育文化创新的前沿实践，探讨AI技术推动文化教育融合、学习方式变革的创新探索；产业界与青年创业者从市场与生态角度，畅谈湾区文化科技产业的协同路径、商业模式与未来判断。
       下午场圆桌代表背景多元、跨域特征鲜明——从芭蕾艺术到歌剧声乐，从体育冠军到微电子芯片，从故宫文博到食品健康，从教育创新到社会治理，不同领域的思想火花在同一圆桌碰撞交融，以多元视角激发共创可能，为澳门经济适度多元与人文湾区建设注入创新动能。
会议开始前，刘艺良副主席、王保胜社长还向出席会议的代表颁发了荣誉奖杯。
       两场圆桌彼此呼应、互为补充，共同构成从价值研判到实践落地的完整对话链条。
       与会代表普遍认为，在“十五五”规划开局之年，文化与科技的深度融合既是时代命题，也是发展机遇；澳门作为中西文明交流互鉴的重要窗口，兼具“一国两制”制度优势与联通世界的区位优势，在推动文化科技融合、促进文明交流互鉴方面大有可为。

启动仪式：剪彩启幕，翰墨飘香

       当晚，澳门国际论坛暨“景行行止——中国画名家学术邀请展”（澳门站）启动仪式在澳门教科文中心隆重举行。
       中央政府驻澳门联络办公室宣传文体部副部长白冰，第九届、十届、十一届、十二届、十三届、十四届全国人大代表，第十一届中国侨联副主席刘艺良，第十四届全国政协委员、全国政协文化文史和学习委员会副主任，澳门基金会行政委员会主席、澳门文化界联合总会会长吴志良，澳门特别行政区文化局代副局长苏建明，澳门科技大学副校长唐嘉乐，第十一届、十二届全国政协常委、中国书法家协会名誉主席、中央文史研究馆馆员苏士澍，中国美术家协会副主席、天津市美术家协会主席、中国传媒大学中国画研究院副院长贾广健，第十二届、十三届全国政协委员，中国美术家协会中国画艺委会主任、中国传媒大学中国画研究院副院长田黎明，中国文化人物杂志社社长、山东大学国际汉学研究中心兼职教授王保胜，第十一届、十二届全国政协委员，中国美术家协会原副主席、广东省文学艺术界联合会原主席、广东省美术家协会原主席、广东画院原院长许钦松，中国文化人物杂志社澳门分社社长周湛东等11位主礼嘉宾出席启动仪式并共同剪彩。
       陈庆立、王玉明、张旭、朱乐耕、王晶、吴琼、张志庆、拉・宝门道尔吉、韩玉臣、崔世平、包乐华、黄湘詅、刘新旗、吴志华、冯英、肖红缨、赵婉、满丹丹、郭瑞齐、黎世祺、杨一心、崔景哲、谢坚、郭旭、张根虎、张英席、张明星、张俊勇、刘家裕等各界嘉宾共同见证。
       启动仪式上，本次参展艺术家代表、中国美术家协会副主席贾广健致辞。他表示，澳门作为中西文化交汇的重要窗口，为中华优秀传统文化的对外传播提供了独特平台，本次展览汇聚当代中国美术名家精品，是内地与澳门文化交流的一次生动实践。
       中国文化人物杂志社社长王保胜致辞，他回顾了本次活动从策划到落地的全过程，向长期以来关心支持活动的各级领导、各界朋友致以诚挚谢意。他表示，中国文化人物杂志社将以此次活动为新起点，每年定期在澳门主办澳门国际论坛，持续以高端学术展览与深度思想对话为载体，推动中华优秀传统文化创造性转化、创新性发展，为建设法治澳门、活力澳门、文化澳门、幸福澳门，为粤港澳大湾区文化建设与澳门长期繁荣稳定，注入源源不断的文化动力。
       仪式现场举行了庄重的赠画仪式。为纪念本次展览圆满举行，本次参展艺术家代表、中国美术家协会中国画艺委会主任田黎明向主办单位澳门基金会致送作品留念。澳门基金会行政委员会主席吴志良代表澳门基金会接收作品，并向田黎明致送作品收藏证书。这一赠画收藏仪式，既是艺术家对澳门文化事业的深情厚谊，也为本次活动留下了珍贵的艺术见证。
       在热烈的掌声中，11位主礼嘉宾移步台前，共同为本次活动剪彩。随着金剪落下，澳门国际论坛暨“景行行止——中国画名家学术邀请展”（澳门站）正式启动。主礼嘉宾与现场来宾共同合影留念，记录这一文化盛事的重要时刻。
       启动仪式结束后，王保胜社长陪同各位嘉宾一同参观展览，近距离品鉴名家佳作，交流艺术心得。

揭牌仪式：落地濠江，文脉新篇

       启动仪式后，中国文化人物杂志社澳门分社、中国文化人物澳门艺术馆揭牌仪式在澳门同期隆重举行。
       苏士澍、陈庆立、吴志良、贾广健、田黎明、刘艺良、许钦松、冯英、吴志华、吴琼、王晶、王玉明、王保胜、朱乐耕、周湛东、拉·宝门道尔吉、黄湘詅、肖红缨、张根虎、赵婉等各界嘉宾共同为中国文化人物杂志社澳门分社、中国文化人物澳门艺术馆揭牌。
       在热烈的掌声中，红绸揭下，中国文化人物杂志社澳门分社、中国文化人物澳门艺术馆正式宣告成立。
       现场百余位嘉宾共同见证这一文化盛事，掌声经久不息。

论坛展览双线辉映，文化澳门再谱新篇

       “景行行止——中国画名家学术邀请展”（澳门站）由中国文联港澳台办公室支持，展览阵容雄厚、名家云集。
       展览展出了：冯远的国画作品《孔子授徒》《孟子释仁》《荀子劝学》，书法作品《景行行止》；屈健的国画作品《莲出泥而不染》《红玫瑰》《花下鸣禽》；刘万鸣的国画作品《人物》《忘机》；贾广健的国画作品《居高声自远》《生生无限意》；田黎明的国画作品《高士图》《淡》；牛克诚的国画作品《春声》《晴峦态度》；吴为山的雕塑作品《神遇：孔子与苏格拉底的对话》，苏士澍的书法作品《广纳天下英才 共建美好澳门》《绿色旗扬迎瑞日 濠江水涌润莲花》，孙晓云的书法作品《法治澳门 活力澳门 文化澳门 幸福澳门》，许钦松的国画作品《百道清泉入涧流》，王林旭的国画作品《延安颂》，李翔的国画作品《绿野仙居》，林蓝的国画作品《玉兰》，庞茂琨的油画作品《红皮书》，林茂的油画作品《相望》，潘义奎的油画作品《静物》，何家英的国画作品《岁月年轮》，闫平的油画作品《湿湿的心》，朱乐耕的陶艺作品《风》，徐青峰的国画作品《马系列之四十三》，刘洋的摄影作品《回望家园》，王保胜的摄影作品《众行致远(企鹅高速公路)》，赵建成的国画作品《卓玛》，韩书力的国画作品《净水》，乐震文的国画作品《秋风起白云飞》，陈孟昕的国画作品《运过长天》，郑光旭的油画作品《严冬》，韩玉臣的油画作品《蹒跚》，霍春阳的国画作品《出淤泥而不染》，李传真的国画作品《藏族老人》，李冬的国画作品《坚崖福澜》，张弛的国画作品《云起时》，邓维东的国画作品《阳光·老人》，翟美卿的国画作品《盈盈芳菲》，张根虎的国画作品《青山绿水菜花香》，王洪亮的雕塑作品《汉武帝》，谌北新的油画作品《山林》，郅敏的雕塑作品《龙马精神》，崔景哲的国画作品《中国红》，孙玉敏的国画作品《信息时代》，米巧铭的油画作品《马系列:苍檀》，张大墨的国画作品《鸿运当头》，刘璟的国画作品《敦煌莫高窟维摩诘像》，何百里（香港）的国画作品《夏壑泉声》，梁晚年（澳门）的雕塑作品《妈祖》，李得之（澳门）的国画作品《丹巴藏寨》，黄湘詅（台湾）的国画作品《秋山寻胜图》，张继的篆刻作品《湾区融澳》，王瑞的篆刻作品《法治澳门》，尹海龙的篆刻作品《澳门国际论坛》，冯宝麟的篆刻作品《幸福澳门》，赵彦国的篆刻作品《活力澳门》《新程致远》，蔡梦霞的篆刻作品《濠江同辉》，张潇的篆刻作品《景行行止》，刘家宜的篆刻作品《莲耀廿六》，杨沆的篆刻作品《文化澳门》。
       120余件精品融汇传统与现代多种风格，集中展现当代中国美术的学术高度与时代风貌，为澳门市民与海内外游客献上一场高水平的艺术盛宴。
       展览在澳门教科文中心及中国文化人物澳门艺术馆同步展出，持续至9月20日。
       此次揭牌仪式的举行，恰逢澳门国际论坛暨“景行行止——中国画名家学术邀请展”（澳门站）成功举办，可谓双喜临门。澳门分社与澳门艺术馆的正式成立，将与每年定期举办的澳门国际论坛形成“媒体+展览+论坛”三位一体的文化传播格局，持续推动中华优秀传统文化创造性转化、创新性发展。
       本次系列活动的成功举办，是对澳门特别行政区相关规划中教育、科技、人才一体化发展和“文化澳门”建设目标的积极响应，也为粤港澳大湾区文化科技融合生态构建提供了高端思想平台。活动进一步筑牢了内地与澳门的文化纽带，增强了澳门社会的文化认同与民族自信，为人文湾区建设与澳门长期繁荣稳定注入了持久的文化动能与创新活力。
 

The series of events of the Macao International Forum and the “Jing Hang Xing Zhi – Academic Invitational Exhibition of Chinese Painting Masters” (Macao Edition) were successfully held in Macao.

On September 19, the series of events of the Macao International Forum and the “Jing Hang Xing Zhi – Academic Invitational Exhibition of Chinese Painting Masters” (Macao Edition)—jointly organized by the Macao Foundation, Chinese Cultural Figures Magazine, and Macau University of Science and Technology, and undertaken by the Chinese Cultural Figures Magazine Macao Branch, the Chinese Cultural Figures Macao Art Museum, and the Faculty of Humanities and Arts of Macau University of Science and Technology—were successfully held in Macao.
On that day, the morning and afternoon sessions of the Culture and Technology Roundtable were grandly held at Macau University of Science and Technology.Nearly 40 representatives from various sectors participated in an in-depth dialogue about the cultural roots and technological innovations of the digital-intelligent era. They also discussed cross-sector forces and the future of the Greater Bay Area in the era of artificial intelligence (AI).That evening, the exhibition launch ceremony was grandly held at the Macao UNESCO Centre.The Chinese Cultural Figures Magazine Macao Branch and the Chinese Cultural Figures Macao Art Museum were officially unveiled.The four events complemented each other, presenting a magnificent picture together of the integration of culture and technology, as well as the dialogue between tradition and contemporaneity.
The 15th Five-Year Plan begins in 2026.The development of the Guangdong-Hong Kong-Macao Greater Bay Area continues to deepen and consolidate, and Macao is accelerating its integration into the overall national development.This series of events aligns closely with the arrangements of the 15th Five-Year Plan for promoting the integration of culture and technology, as well as advancing digital and intelligent empowerment and information-based transformation in cultural development.Grounded in Macao's unique advantage as a convergence of Chinese and Western cultures,the events provide diverse perspectives on cultural transmission and digital-intelligent empowerment in the new era, and inject lasting momentum into the innovative dissemination of China's fine traditional culture in the Guangdong-Hong Kong-Macao Greater Bay Area.

Morning Roundtable: Mutual Learning Among Civilizations — Cultural Roots and Technological Innovation in the Digital-Intelligent Era

On the morning of the same day, the morning session of the “Culture and Technology Roundtable” was held at Macau University of Science and Technology.
The theme of this roundtable was “Mutual Learning among Civilizations: Cultural Roots and Technological Innovation in the Digital-Intelligent Era.”With “mutual learning among civilizations” as the vision, “cultural roots” as the foundation, and “technological innovation” as the path,the focus was on the relationship between integrity and innovation, cultural transmission, and humanistic care in technology.
This roundtable was moderated by Wu Zhiliang, Member of the 14th National Committee of the Chinese People's Political Consultative Conference (CPPCC), Deputy Director of the Committee on Culture, History and Learning of the CPPCC National Committee, Chairman of the Administrative Committee of the Macao Foundation, and President of the Federation of Associations of Cultural Sectors of Macau;and by Su Shishu, Member of the Standing Committee of the 11th and 12th CPPCC National Committees, Honorary Chairman of the China Calligraphers Association, and Member of the Central Research Institute of Culture and History.
In the context of digital and intelligent technologies that are fundamentally changing the way humanity produces and lives,it is important to understand the spiritual roots of Chinese civilization and to empower cultural transmission through technological innovation.This will allow China's fine traditional culture to radiate new vitality and vigor in the digital and intelligent era.This is a profound question concerning cultural confidence,and also a contemporary issue to which Macao, as an “exchange and cooperation base with Chinese culture as the mainstream and diverse cultures coexisting,” must respond.
For more than four centuries, Macao has been at the forefront of the encounter between Chinese and Western civilizations.Here, “mutual learning among civilizations” is not just an abstract concept,but rather a historical experience and a real mission ingrained in the city's fabric..Participants held that technological innovation is not the opposite of cultural roots,but rather an essential element for preserving cultural heritage in the modern era.
Representatives attending this roundtable included: Jia Guangjian, Vice Chairman of the China Artists Association, Chairman of the Tianjin Artists Association, and Deputy Director of the Chinese Painting Research Institute at the Communication University of China;Wang Yuming, Academician of the Chinese Academy of Engineering, expert in fluid sealing engineering technology, “Academician Poet,” Professor and Doctoral Supervisor at the Department of Mechanical Engineering of Tsinghua University, and Director of the Department's Academic Committee;Zhang Xu, Academician of the Chinese Academy of Sciences, President of the Guangdong Institute of Intelligent Science and Technology, neuroscientist, Academician of the World Academy of Sciences, Member of the Academic Advisory Committee of the Chinese Academy of Medical Sciences, Researcher at the Shanghai Advanced Research Institute of the Chinese Academy of Sciences, Researcher at the Shanghai Institutes for Biological Sciences of the Chinese Academy of Sciences, Vice President of the Shanghai Branch of the Chinese Academy of Sciences, President of the Brain and Intelligence Technology Research Institute of Zhangjiang Laboratory, and Doctoral Supervisor at the Center for Excellence in Brain Science and Intelligence Technology of the Chinese Academy of Sciences;Jing Feng, Head of the Culture Sector at the UNESCO Bangkok Office;Xu Qinsong, Member of the 11th and 12th CPPCC National Committees, former Vice Chairman of the China Artists Association, former Chairman of the Guangdong Federation of Literary and Art Circles, former Chairman of the Guangdong Artists Association, and former President of the Guangdong Painting Academy;Wang Baosheng, President of Chinese Cultural Figures Magazine and Adjunct Professor at the International Sinology Research Center of Shandong University;Zhu Legeng, Member of the 11th, 12th and 13th CPPCC National Committees, Honorary President, Professor and Doctoral Supervisor of the Academy of Literature and Arts of the Chinese National Academy of Arts, Vice President of the China Cultural Industry Association, former Vice Chairman of the China Natioanl Arts and Crafts Society, and Master of Chinese Ceramic Art;Wang Jing, Deputy to the 10th and 11th  National People's Congress, Member of the 12th, 13th and 14th CPPCC National Committees, President of Newland Technology Group, Chairman of the United Nations Charity Foundation, and Chairman of the e-CNY Industry Alliance;Wu Qiong, Dean of the Academy of Arts & Design of Tsinghua University, Director of the Tsinghua University Art and Science Research Center, and Doctoral Supervisor;Zhou Zhandong, Chairman of the Board of Zhongmao (Hainan) Cross-Border Investment Group, President of the China International Health and Wellness Technology Association, Chairman of the Board of Xi'an Guoyi Hospital (Xixian Women and Children's Hospital), Chairman of Xi'an Yili Renle Biopharmaceutical Technology Co., Ltd., Chairman of Xi'an Gaoxin East District Primary School, Chairman of Xi'an Gaoxin East District Junior High School, Chairman of Xuexin Kindergarten, and Deputy to the 15th, 16th and 17th Xi'an Municipal People's Congress;Zhang Zhiqing, Dean, Professor and Doctoral Supervisor of the Faculty of Humanities and Arts at Macau University of Science and Technology, Vice President of the Chinese Collegial Association For Visual Art, and Director of the Macao Media Research Center;La Baomendoorji, Dean of the School of Fine Arts at the National University of Arts and Culture of Mongolia, and National Meritorious Artist of Mongolia;Han Yuchen, Deputy to the 10th, 11th and 12th National People's Congress, Distinguished Researcher of the Chinese National Academy of Arts, Honorary Academician of the Italian Academy of Arts, and Honorary Professor of the Repin Academy of Fine Arts in Russia;Chui Sai Peng, Deputy to the 10th, 11th, 13th and 14th National People's Congress, Member of the Legislative Assembly of the Macao Special Administrative Region, Independent Non-Executive Director of the Bank of China, and Member of the University Council of the University of Macau;Geoffrey Blowers, former Associate Dean of the Faculty of Social Sciences at the University of Hong Kong, Tenured Professor in the Department of Psychology at the University of Hong Kong, and Founding President of the Hong Kong Psychological Society;Huang Shiang Ling, President of the Hong Kong Baiyuntang Art Research Association, President of the Taipei Huang Junbi Culture and Art Association, and Vice Chairperson of the Hong Kong Culture Association, among 18 representatives in total.
Representatives from the cultural and artistic circles, drawing on practical experience in creation and research,directly addressed the opportunities and challenges of the digital-intelligent era,and shared how the core spirit of China's fine traditional culture can maintain its vitality in the context of new technologies.Representatives from the scientific and technological circles, starting with the laws of technological development and frontier trends,discussed how technological innovation can serve the contemporary needs of cultural transmission,and explained the intrinsic unity of the scientific spirit and humanistic care.Representatives from the industrial circles, based on industrial practice in the integration of culture and technology,shared their judgments on industry trends and strategic observations,and explored sustainable development paths and business model innovation for cultural-technological integration.
From the contemporary transmission of traditional arts such as calligraphy and Chinese painting,to humanistic reflection on frontier technologies such as artificial intelligence and brain science;from UNESCO's cultural heritage preservation practices,to cross-border artistic exchange and dialogue among civilizations,the morning session combined historical depth with intellectual depth,providing valuable references for the integrated development of culture and technology.
Before the meeting began, Chairman Wu Zhiliang and President Wang Baosheng also presented honorary trophies to the representatives attending the meeting.

Afternoon Roundtable: Co-creating New Horizons — Cross-Sector Forces in the AI Era and the Future of the Greater Bay Area

In the afternoon, the afternoon session of the Culture and Technology Roundtable was held at Macau University of Science and Technology.
The theme of this roundtable was “Co-creating New Horizons: Cross-Sector Forces in the AI Era and the Future of the Greater Bay Area.”In the technological context of the "AI era," with “cross-sector forces” as the actors and the “future of the Greater Bay Area” as the spatial coordinate,the focus was on frontier practices and cross-sector co-creation.Emphasis was placed on implementing AI-enabled cultural and artistic scenarios, innovating in cross-sector collaboration models, and building an ecosystem for cultural-technological integration in the Greater Bay Area.
This roundtable was moderated by Chen Qingli, former Party Branch Secretary and Deputy Director of the Foreign Liaison Bureau of the General Office of the Standing Committee of the National People's Congress.
Representatives attending this roundtable included:Lao Ngai Leong, Deputy to the 9th, 10th, 11th, 12th, 13th and 14th National People's Congress, Vice Chairman of the 11th All-China Federation of Returned Overseas Chinese, Member of the Sixth Executive Council of the Macao Special Administrative Region, President of the Macao Region China Council for the Promotion of Peaceful National Reunification, Permanent President of the Macao Federation of Returned Overseas Chinese, Chairman of the Board of Chong Sai Com. Enterprise (Group) Co., Ltd., and Honorary President of the Guangdong General Chamber of Commerce;Tian Liming, Member of the 12th and 13th CPPCC National Committees, Director of the Chinese Painting Art Committee of the China Artists Association, and Deputy Director of the Chinese Painting Research Institute at the Communication University of China;Liu Xinqi, Foreign Academician of the Russian Academy of Engineering, Professor and Doctoral Supervisor at the School of Food and Health of Beijing Technology and Business University;Louis NG Chi Wa, Director of the Hong Kong Palace Museum, Ph.D. in History, and holder of a Bachelor of Arts in History, Master of Philosophy and Ph.D. from the Chinese University of Hong Kong;Feng Ying, Member of the 9th, 10th and 11th CPPCC National Committees, Deputy to the 12th National People's Congress, Vice Chairperson of the 11th China Dancers Association, former Director of the National Ballet of China, renowned ballet dancer, and Member of the Expert Committee of the China National Arts Fund;Xiao Hongying, Deputy Director of the Institute for Social Governance and Development at Tsinghua University, Director of the Office of Strategic Development and Cooperation of the School of Social Sciences, former Director of the Personnel Office of the Party Committee of the School of Social Sciences, Member of the Party Committee of the School of Journalism and Communication, Director of the Party Committee Office, and former Executive Deputy Director of the National Image Communication Research Center;Zhao Wan, Director of the Chinese Cultural Figures Macao Art Museum;Man Dandan, World Champion in Chinese Cross-Country Skiing, Flag Bearer at the Closing Ceremony of the Asian Winter Games, and Teacher at Capital University of Physical Education and Sports;Guo Ruiqi, Assistant Professor and Doctoral Supervisor at the Institute of Microelectronics and the State Key Laboratory of Analog and Mixed-Signal VLSI of the University of Macau, and Associate Researcher at the University of Macau Advanced Research Institute in Hengqin and the Shenzhen Hetao Integrated Circuit Research Institute;Lai Sai Kei, Deputy to the 13th National People's Congress, Principal of Keang Peng School in Macao, and Vice President of the Macao Chinese Education Association;Alexis Y. Lavis, French philosopher and sinologist, Associate Professor at Renmin University of China, Wu Yuzhang Young Scholar, Program Director and Academic Committee Member of the International College of Philosophy (CIPh), and Researcher at the Husserl Archives of the French National Centre for Scientific Research (CNRS);Cui Jingzhe, Vice Chairman of the Hebei Artists Association, Vice President of Hebei Academy of Fine Arts, Council Member of the China Artists Association, Executive Director of the China Gongbi Art Society, and recipient of the Coubertin Medal;Xie Jian, Deputy to the 13th and 14th National People's Congress, Director of the Island Branch of the Zhuhai Postal Branch of China Post Group in Guangdong Province, and Postal Delivery Clerk at the Wailingding Business Office;Guo Xu, President of Hong Kong Zhixin Holdings, Chairman of Hong Kong Zhixin Electronics Co., Ltd., Chairman of Hong Kong Weichen Electronics Co., Ltd., and Chairman of Hong Kong Xingshi Capital Management Co., Ltd.;Zhang Genhu, Deputy to the 11th National People's Congress, former Chairman of the Shanxi Federation of Literary and Art Circles, and President of the Shanxi Chinese Painting Society;Zhang Yingxi, renowned tenor of the China National Opera and Dance Drama Theater, National First-Class Actor, judge of the Vocal (Bel Canto) Category of the China Golden Bell Award for Music, judge of CCTV's “Chinese Singers” (Bel Canto Category), Public Welfare and Cultural Communication Ambassador of the Ministry of Emergency Management, and Council Member of the Art and Culture Volunteers Association of the China Federation of Literary and Art Circles;Zhang Mingxing, Member of the 13th and 14th CPPCC National Committees, President of the Macao Fujian Natives Association, Member of the Electoral Committee for the Chief Executive of Macao, Chairman of the Board of Xinxiongxing Group (International) Co., Ltd., and Member of the University Council of Macau University of Science and Technology;Cheung Tsun Yung, Deputy to the 13th National People's Congress from the Hong Kong Region, Executive Committee Member of the Business and Professionals Alliance for Hong Kong (BPA), and Advisor to its Youth Committee;Lao Ka U, Member of the Yunnan Provincial Committee of the CPPCC and Chairman of the Macao Economic and Livelihood Alliance, among 20 representatives in total.
Wang Baosheng, President of Chinese Cultural Figures Magazine, delivered a concluding speech.He pointed out that cross-sector co-creation is a key driving force for the future development of the Greater Bay Area, and that the Press will use Macao as a window to promote the implementation of more cross-sector cooperation and contribute to the building of a humanistic Greater Bay Area.Senior experts from the cultural and artistic circles shared industry insights and practical experience on the innovative development of culture and art in the digital-intelligent era.Young artists showcased frontier explorations such as AI-assisted creation, digital curation, and cross-media art experiments.Representatives from the scientific and technological circles, from the perspective of technological trends and strategic height, depicted the long-term vision and key breakthrough directions for the integration of AI and culture,and presented specific cases of AI implementation in culture and art, sports training, educational innovation, and other fields.Representatives from sports and education shared cutting-edge technology practices for sports training, event communication, and sports culture innovation.They also explored ways AI technology can promote cultural and educational integration and transform learning methods.Representatives from industry and young entrepreneurs discussed collaborative pathways, business models, and future prospects for the cultural and technological industry in the Greater Bay Area from the perspectives of market and ecosystem.
The afternoon session featured representatives from a variety of backgrounds and areas of expertise, including ballet and operatic vocals, sports champions, microelectronic chips, the Palace Museum and cultural heritage, food and health, and educational innovation and social governance.Sparks of thought from different fields collided and blended at the same roundtable,inspiring possibilities for co-creation through diverse perspectives. This injects innovative momentum into Macao's appropriate economic diversification and the development of a humanistic Greater Bay Area.
Before the session began, Vice Chairman Lao Ngai Leong and President Wang Baosheng also presented honorary trophies to the representatives attending the meeting.
The two sessions echoed and complemented each other,jointly forming a complete dialogue chain from value assessment to practical implementation.Participants generally agreed that,in the opening year of the 15th Five-Year Plan, the deep integration of culture and technology is both a proposition of the times and a development opportunity.As an important window for exchange and mutual learning between Chinese and Western civilizations,Macao combines the institutional advantages of “One Country, Two Systems” with its geographical advantage of connecting to the world,and has great potential to promote cultural-technological integration and enhance exchange and mutual learning among civilizations.

Launch Ceremony: Ribbon-Cutting Opens the Event, Brush-and-Ink Fragrance Fills the Air

That evening, the launch ceremony of the Macao International Forum and the “Jing Hang Xing Zhi – Academic Invitational Exhibition of Chinese Painting Masters” (Macao Edition) was grandly held at the Macao UNESCO Centre.
Bai Bing, Deputy Director of the Publicity, Culture and Sports Department of the Liaison Office of the Central People's Government in the Macao Special Administrative Region;Lao Ngai Leong, Deputy to the 9th, 10th, 11th, 12th, 13th and 14th National People's Congress and Vice Chairman of the 11th All-China Federation of Returned Overseas Chinese;Wu Zhiliang, Member of the 14th National Committee of the Chinese People's Political Consultative Conference (CPPCC), Deputy Director of the Committee on Culture, History and Learning of the CPPCC National Committee, Chairman of the Administrative Committee of the Macao Foundation, and President of the Federation of Associations of Cultural Sectors of Macau;Su Jianming, Acting Deputy Director of the Cultural Affairs Bureau of the Macao Special Administrative Region;Tong Ka Lok, Vice President of Macau University of Science and Technology;Su Shishu, Member of the Standing Committee of the 11th and 12th CPPCC National Committees, Honorary Chairman of the China Calligraphers Association, and Member of the Central Research Institute of Culture and History;Jia Guangjian, Vice Chairman of the China Artists Association, Chairman of the Tianjin Artists Association, and Deputy Director of the Chinese Painting Research Institute at the Communication University of China;Tian Liming, Member of the 12th and 13th CPPCC National Committees, Director of the Chinese Painting Art Committee of the China Artists Association, and Deputy Director of the Chinese Painting Research Institute at the Communication University of China;Wang Baosheng, President of Chinese Cultural Figures Magazine and Adjunct Professor at the International Sinology Research Center of Shandong University;Xu Qinsong, Member of the 11th and 12th CPPCC National Committees, former Vice Chairman of the China Artists Association, former Chairman of the Guangdong Federation of Literary and Art Circles, former Chairman of the Guangdong Artists Association, and former President of the Guangdong Painting Academy;Zhou Zhandong, President of the Chinese Cultural Figures Magazine Macao Branch, and 11 other officiating guests attended the launch ceremony and jointly cut the ribbon.
Guests from various sectors, including Chen Qingli, Wang Yuming, Zhang Xu, Zhu Legeng, Wang Jing, Wu Qiong, Zhang Zhiqing, La Baomendoorji, Han Yuchen, Chui Sai Peng, Geoffrey Blowers, Huang Shiang Ling, Liu Xinqi, Louis NG Chi Wa, Feng Ying, Xiao Hongying, Zhao Wan, Man Dandan, Guo Ruiqi, Lai Sai Kei, Alexis Y. Lavis, Cui Jingzhe, Xie Jian, Guo Xu, Zhang Genhu, Zhang Yingxi, Zhang Mingxing, Cheung Tsun Yung, and Lao Ka U, jointly witnessed the ceremony.
During the launch ceremony, Jia Guangjian, Vice Chairman of the China Artists Association and representative of the participating artists, delivered a speech.He stated that Macao, as an important window for the convergence of Chinese and Western cultures, provides a unique platform for the international dissemination of China's fine traditional culture.This exhibition showcases masterpieces by renowned contemporary Chinese artists, vividly illustrating the cultural exchange between Chinese mainland and Macao.
Wang Baosheng, President of Chinese Cultural Figures Magazine, delivered a speech.He reviewed the entire process of the event, from planning to implementation, and expressed his sincere gratitude to the leaders at all levels and friends from all sectors who have long cared about and supported the event.He stated that Chinese Cultural Figures Magazine will take this event as a new starting point to host the Macao International Forum annually in Macao.It will continue to promote the creative transformation and innovative development of China's fine traditional culture through high-end academic exhibitions and in-depth intellectual dialogue.A steady stream of cultural momentum will be injected into the building of a Macao under the rule of law, a vibrant Macao, a cultural Macao, and a happy Macao, as well as into the cultural development of the Guangdong-Hong Kong-Macao Greater Bay Area and Macao's long-term prosperity and stability.
The event featured a solemn painting presentation ceremony.To commemorate the successful holding of this exhibition, Tian Liming, Director of the Chinese Painting Art Committee of the China Artists Association and representative of the participating artists, presented a piece of artwork to the organizer, the Macao Foundation, as a memento.Wu Zhiliang, Chairman of the Administrative Committee of the Macao Foundation, accepted the piece on behalf of the Macao Foundation and presented a certificate of collection to Tian Liming.This painting presentation and collection ceremony reflects the artist's deep affection for Macao's cultural endeavors and leaves behind a valuable artistic record of the event.
The 11 officiating guests moved to the stage amid warm applause and jointly cut the ribbon for the event.With the fall of golden scissors, the Macao International Forum and the “Jing Hang Xing Zhi – Academic Invitational Exhibition of Chinese Painting Masters” (Macao Edition) were officially launched.The officiating guests and the attendees posed for a group photo to commemorate this important moment.
Following the launch ceremony, President Wang Baosheng escorted the guests on a tour of the exhibition, where they had the opportunity to appreciate the masterpieces up close and exchange artistic insights.

Unveiling Ceremony: Taking Root in Macao - A New Chapter of Cultural Heritage

Following the launch ceremony, the Chinese Cultural Figures Magazine Macao Branch and the Chinese Cultural Figures Macao Art Museum were unveiled in a grand ceremony in Macao.
Guests from various sectors, including Su Shishu, Chen Qingli, Wu Zhiliang, Jia Guangjian, Tian Liming, Lao Ngai Leong, Xu Qinsong, Feng Ying, Louis NG Chi Wa, Wu Qiong, Wang Jing, Wang Yuming, Wang Baosheng, Zhu Legeng, Zhou Zhandong, La Baomendoorji, Huang Shiang Ling, Xiao Hongying, Zhang Genhu, and Zhao Wan, jointly unveiled the Chinese Cultural Figures Magazine Macao Branch and the Chinese Cultural Figures Macao Art Museum.
Amidst warm applause, the red silk was unveiled and the establishment of the Chinese Cultural Figures Magazine Macao Branch and the Chinese Cultural Figures Macao Art Museum was announced.
More than one hundred guests at the venue witnessed this grand cultural event together, and the applause continued for a long time.

Forum and Exhibition: A New Chapter of Cultural Macao

The “Jing Hang Xing Zhi – Academic Invitational Exhibition of Chinese Painting Masters” (Macao Edition) is supported by the Office of Hong Kong, Macao and Taiwan Affairs of the China Federation of Literary and Art Circles. The exhibition features a strong lineup and a gathering of renowned artists.
The exhibition presents: Feng Yuan's Chinese paintings “Confucius Instructing His Disciples,” “Mencius Explaining Benevolence,” and “Xunzi Exhorting to Learning,” as well as his calligraphy work “Jing Hang Xing Zhi”;Qu Jian's Chinese paintings “The Lotus Emerges Unstained from the Mud,” “Red Rose,” and “Birds Singing beneath Flowers”;Liu Wanming's Chinese paintings “Figure” and “Forgetting Worldly Schemes”;Jia Guangjian's Chinese paintings “Standing High, One's Voice Reaches Far” and “Endless Vitality Holds Boundless Meaning”;Tian Liming's Chinese paintings “Portrait of a Noble Scholar” and “Faint”;Niu Kecheng's Chinese paintings “Sounds of Spring” and “The Demeanor of Sunny Hills”;Wu Weishan's sculpture “Divine Encounter: Dialogue between Confucius and Socrates”;Su Shishu's calligraphy works “Gather Talents from Across the World, Build a Beautiful Macao Together” and “Green Flag Waves to Greet Auspicious Days - Haojiang River Surges to Nourish the Lotus”;Sun Xiaoyun's calligraphy work “Rule-of-Law Macao, Vibrant Macao, Cultural Macao, Happy Macao”;Xu Qinsong's Chinese painting “A Hundred Clear Springs Flow into the Stream”;Wang Linxu's Chinese painting “Ode to Yan'an”;Li Xiang's Chinese painting “Fairy Dwelling in the Green Wilderness”;Lin Lan's Chinese painting “Magnolia”;Pang Maokun's oil painting “Red Book”;Lin Mao's oil painting “Facing Each Other”;Pan Yikui's oil painting “Still Life”;He Jiaying's Chinese painting “Annual Rings of Time”;Yan Ping's oil painting “Wet Heart”;Zhu Legeng's ceramic work “Wind”;Xu Qingfeng's Chinese painting “Horse Series No. 43”;Liu Yang's photographic work “Looking Back at Home”;Wang Baosheng's photographic work “The Great Migration: Penguin Highway”;Zhao Jiancheng's Chinese painting “Zhuoma”;Han Shuli's Chinese painting “Clean Water”;Le Zhenwen's Chinese painting “Autumn Wind Rises, White Clouds Fly”;Chen Mengxin's Chinese painting “Sailing across the Vast Sky”;Zheng Guangxu's oil painting “Harsh Winter”;Han Yuchen's oil painting “Staggering”;Huo Chunyang's Chinese painting “Emerging Unstained from the Mud”;Li Chuanzhen's Chinese painting “Tibetan Elder”;Li Dong's Chinese painting “Steep Cliff and Auspicious Waves”;Zhang Chi's Chinese painting “When Clouds Rise”;Deng Weidong's Chinese painting “Sunshine · Elderly”;Zhai Meiqing's Chinese painting “Lush Blossoms”;Zhang Genhu's Chinese painting “Green Mountains, Clear Waters, and the Scent of Flowers”;Wang Hongliang's sculpture “Emperor Wu of Han”;Chen Beixin's oil painting “Mountains and Forests”;Zhi Min's sculpture “The Spirit of the Dragon Horse”;Cui Jingzhe's Chinese painting “Chinese Red”;Sun Yumin's Chinese painting “Information Age”;Mi Qiaoming's oil painting “Horse Series: Cangtan”;Zhang Damo's Chinese painting “Fortune Ahead”;Liu Jing's Chinese painting “Vimalakīrti Image in the Mogao Grottoes, Dunhuang”;Ho Pak Lee's (Hong Kong) Chinese painting “Summer Valley and Spring Sounds”;Leong Man Nin's (Macao) sculpture “Mazu”;Li Dezhi's (Macao) Chinese painting “Danba Tibetan Village”;Huang Shiang Ling's (Taiwan) Chinese painting “Seeking Scenery in Autumn Mountains”;Zhang Ji's seal carving work “Greater Bay Area Integrating Macao”;Wang Rui's seal carving work “Rule-of-Law Macao”;Yin Hailong's seal carving work “Macao International Forum”;Feng Baolin's seal carving work “Happy Macao”;Zhao Yanguo's seal carving works “Vibrant Macao” and “New Journey, Far-Reaching Vision”;Cai Mengxia's seal carving work “Radiant Together over Haojiang”;Zhang Xiao's seal carving work “Jing Hang Xing Zhi”;Liu Jiayi's seal carving work “Lotus Shines at Twenty-Six”;Yang Hang's seal carving work “Cultural Macao”.
With more than 120 fine works blending diverse styles of tradition and modernity, this exhibition provides a comprehensive showcase of the academic heights and contemporary spirit of Chinese art today. It presents a high-level artistic feast for Macao residents and visitors from around the world.
The exhibition is on display at both the Macao UNESCO Centre and the Chinese Cultural Figures Macao Art Museum until September 20.
The unveiling ceremony coincides with the successful hosting of the Macao International Forum and the “Jing Hang Xing Zhi – Academic Invitational Exhibition of Chinese Painting Masters” (Macao Edition), making for a double celebration.Together with the Macao International Forum, which is held regularly every year, the official establishment of the Macao Branch and the Macao Art Museum will form a cultural communication framework of "media + exhibition + forum." This framework will continuously promote the creative transformation and innovative development of China's traditional fine arts.
The successful holding of this series of events is an active response to the integrated development of education, science and technology, and talent as well as the goal of building a “Cultural Macao” in the relevant plans of the Macao Special Administrative Region, and also provides a high-end intellectual platform for building an ecosystem of cultural-technological integration in the Guangdong-Hong Kong-Macao Greater Bay Area.These events strengthened the cultural bond between the Chinese mainland and Macao, enhancing cultural identity and national confidence within Macao society. They also injected lasting cultural momentum and innovative vitality into building a humanistic Greater Bay Area, ensuring Macao's long-term prosperity and stability.

（责编：刘升、张彦）